英(🤮)国内(🐌)(nèi )战期间(jiān ),交战双方(🍄)士兵(🥍)(bīng )发(📚)现(xiàn )他们陷入一(😗)片被(🌌)(bèi )女(🎽)巫(wū )控制的(de )森林(🎬)之中(🤽)
该故(🥌)事(shì )讲述(shù )了一(🔢)个小(🥘)男孩(🈳)和(hé )意外(wài )成为(🦊)了流(👖)浪汉(🦁)的柠檬水摊主(zhǔ )乔的(🔵)
剧情(📳)描述两(liǎng )个怀(huái )揣梦(🕍)想远(📎)大抱负的艺(yì )校女生(⏯)(shēng ),在(✒)舞蹈的路上(shàng )完善(shà(🤳)n )完美自己以及追(zhuī )逐对(duì(✒) )自己青(qīng )春路上的友谊和(🗳)(hé )情(😌)感(gǎn ),主角因嫉妒闺(guī(🗼) )蜜女(✅)(nǚ )二(🎓)受到了魔镜的诱(🅿)惑(huò(🍤) ),连环(🆗)(huán )杀害自己的同(😈)伴(bà(🥊)n )和校(🥝)(xiào )友以满足内心(🌯)对(duì(👲) )女儿(🕧)(ér )的嫉妒(dù )欲望(📷)达到(🈵)最终(🍁)目(mù )的,女二由于病情(🐂)面(mià(💉)n )临必(bì )须放弃梦想的(💺)处境(🕥)中,在得(dé )到绣花鞋后(🌜)得知(♎)(zhī )也需(xū )要他人付出(⚫)生命(mìng ),但(dàn )是为了(le )救人决(🏳)定穿上绣(xiù )花鞋(xié )的和女(🔌)主角(🐊)做斗(🐊)(dòu )争,男主是(shì )个(👈)英俊(🚚)帅气(💜)的校草,对女一和(🐕)女二(🚝)怀(huá(🥍)i )有模(mó )凌两可的(🎵)感情(🔄)纠纷(🌧),剧中一(yī )直被魔(🎋)镜和(🚇)绣花(👏)(huā )鞋牵(qiān )引着剧情,女(😛)主(zhǔ(🤮) )用罪(zuì )恶的方(fāng )式达(🥐)到目(🚙)的后到(dào )头来(lái )内心(➿)一无(🐣)所有,最后(hòu )女二因内(🍚)心的焦虑和不安惶(huáng )恐,才(🎷)发现这全(quán )部都(dōu )是她做(🎣)的一个噩(è )梦,醒来发(fā )现(😽)自己(🚬)在病(👡)床上(shàng )
中年(nián )建(➰)築師(📄)遇上(🐙)人生(shēng )瓶頸(jǐng ),在(🤐)家被(🗼)老婆(⏭)嫌棄,公司小(xiǎo )開(🛠)兔死(🗽)狗烹(⬆)。失(shī )業的(de )他在曼(📘)谷街(📘)頭驀(🎾)然回(huí )首,瞥(piē )見大象(😈)Pop Aye,憶起(💌)歡(huān )快的(de )童年時光,毅(💕)然(rá(👁)n )買下(xià )大象,卻發現都(📅)市生(😞)活(huó )容不(bú )下他倆,打(🦗)算和(hé )老象(xiàng )一路向北返(🚛)鄉。這趟人與象(xiàng )的公路之(🍮)旅,途(tú )中狀(zhuàng )況不斷,所幸(🦏)萬(wà(🛁)n )能的(🐘)(de )象鼻領(lǐng )著他倆(👥),與沿(💇)路(lù(🔄) )風景(jǐng )相伴。《爸媽(🚳)不(bú(🙉) )在家(🏡)(jiā )》導演陳哲藝監(🏬)製,阿(🍦)比查(👓)(chá )邦御用剪接操(📐)刀(dā(🚯)o ),看(kà(✡)n )擅長冷幽默的才女導(🥟)(dǎo )演(🎌)陳敬(jìng )音,用象鼻對抗(✔)(kàng )中(⚡)年(nián )危機!將泰國鄉(xiā(😞)ng )下的(🔬)(de )荒涼風(fēng )景,轉變成一(🥣)首(shǒu )洋溢(yì )著淡淡霓虹光(📑)芒(máng )的自(zì )我蛻變之歌。
Bloody drama follows the story of a pool party involving five former college sororiety sisters attempting one last weekend blowout. While trying hard to grab onto their fun youth filled past they are faced with what is their troubled divisive present. As they water down their issues with booze and drugs unbeknownst to them an evil lurks around them with murderous convictions. How much carnage will not only their personal resentments cause but will this insidious create? Bloody Drama is a throwback to the great horror films of our past, Halloween, Friday the 13th, and Nightmare on elm street.@
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.