In Germany, 1941, the Nazis pursue a Toymaker who has acquired a mystical book which gives life to inanimate objects.
闇金(😲)からの借金(🎙)(jīn )が返せず(😮)、スナックで強制(zhì )的に働らかされて(💑)いる、満(mǎ(🥢)n )里奈、優梨(🐶)(lí )、鈴。3人(ré(🍺)n )は自閉(bì )症(🔪)の進ノ介の(🚌)家に転(zhuǎn )が(👊)りこみ生(shē(🛌)ng )活していた(📑)。3人(rén )は女性(💫)が苦(kǔ )しむ(📥)姿を見て快(🎗)(kuài )楽を楽し(🚅)む(📶)という変(👚)(bià(📰)n )わった癖(🧙)を(🐁)持ってい(🖖)た(🍱)。捕(bǔ )まえて(🌶)きた風俗嬢(😙)をさんざん(🉐)いたぶり、(📄)殺害しコン(🚙)クリートに固めて捨てていた。ヤクザの愛人である(🦒)美麗を捕(bǔ(🕘) )まえてきて(🏕)、新(xīn )たな(🍝)えじきにす(🍆)る3人(rén )だっ(🛺)た…
《四个春(😗)天》是一(yī )部(🛸)以真实家(jiā(🈹) )庭生活为背(😘)景的(de )纪录片(🛸)。15岁(suì )离家,在(🔙)(zài )异乡漂(piā(🎁)o )泊(⛰)多年的导(🍰)演(♉)以自己(jǐ(✉) )南(👼)方小(xiǎo )城(🍁)里(📏)(lǐ )的父母为(🔩)主角,在四年(😉)光阴(yīn )里,以(🧕)一(yī )己之力(🌟)(lì )记录了他(👅)们(men )的美丽日(rì )常。在(zài )如诗的乐活慢生活图(tú )景中,影(🔝)像(xiàng )缓缓雕(⏳)刻出一个(gè(📼) )幸福家庭近(🍌)(jìn )二十年的(🐿)(de )温柔变(biàn )迁(🛶),以及他(tā )们(🧓)如何以(yǐ )自(🔃)己的(de )方式面(🃏)对流转的时(💃)间(jiān )、人生(💂)的得(dé )失起(❣)落。
泰国边(biā(😩)n )境(🐔),1997年。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
A wealthy socialite's daughter discovers she was switched at birth.
影(yǐng )片(⛔)讲(🍠)述了(le )两个(📛)小(🎞)(xiǎo )人物二宝(🍛)和三宝,因(yī(😨)n )偶然参(cān )演(🍈)了(le )一部抗日(🎰)神剧,从陕西(🐂)农村(cūn )一路(🏡)追到(dào )广州寻(xún )找剧组而发(fā )生的令人(rén )捧腹又(yò(🏯)u )笑中带泪的(😌)故事。
星(xīng )宇(📮)保全接手(shǒ(🐀)u )了一次特殊(📵)的保(bǎo )护任(🎧)务,保(bǎo )护对(💈)象竟(jìng )然是(🔮)岛(dǎo )上56只猴(🚭)。立夏在任务(💶)(wù )中与失(shī(🐗) )散多年的师(👆)姐韩英重(chó(👽)ng )逢(🤡),却不知(zhī(✌) )这(🏆)场重逢给(⌛)她(♓)带(dài )来了人(🌜)生深(shēn )刻的(🛏)一场(chǎng )信任(🎙)危(wēi )机。