《野花5》1.

A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.

1891年，后印(🍙)象派(pà(🚸)i )大师保(bǎo )罗·高(gāo )更(🙍)在巴(bā(🥞) )黎的艺(yì )术圈已(yǐ )小(🎺)有名(mí(🍬)ng )气，但(dàn )为文明社会的虚伪与(♊)矫情感(🐲)到厌烦。对于原(yuán )始世(😶)界(jiè )的(🕥)渴望(wàng )驱使他(tā )离开(📺)家(jiā )中(🎍)妻小(xiǎo )，来到(dào )南太(🖐)平(🙋)(píng )洋的(🌽)大(🥐)溪地；准备好为(🏵)追(💓)寻已久(🏥)的自然、野性、纯(🗄)(chú(🦉)n )粹的生(🤐)(shēng )活与创(chuàng )作环境(🚼)(jì(🈺)ng )牺牲一(😳)(yī )切。忍(rěn )受着经(jīng )济(🛁)上的贫(🏈)困和(hé )精神上的孤寂(⚓)，高更走(🍐)进丛林深处，认识了(le )当(📶)地的(de )毛(🐺)利人(rén )，邂逅(hòu )了原住(zhù )民女(🌯)孩(hái )德(🥩)胡拉(lā )；一段三角关(🖲)係也若(🚉)隐若现地缓缓浮(fú )出(🔎)。这座远(🕝)方(fāng )岛屿彷(páng )佛是他(🐔)(tā )灵魂(🍪)的(⏺)(de )故土，此处充(chōng )满(🛠)生(🔬)命(mìng )力(🗒)的(🍃)人物面貌与地景(🐠)线(🐺)条都成(📃)为他的缪思，激发他(😙)(tā(🗾) )创作出(🐋)(chū )艺术生(shēng )涯中最(zuì(🧥) )具标志(🏒)(zhì )性的大(dà )师之作(zuò(💵) )。

在《绑架(🆒)王(wáng )公子1》之中，大狸子(🏍)爵士惨(🙊)遭(zāo )王某人(rén )格侮辱(rǔ )。续集(🎄)(jí )中，大(🧠)(dà )狸子密(mì )谋了一(yī(💐) )场骇人(⛺)(rén )听闻的(de )谋杀案......

A wealthy socialite's daughter discovers she was switched at birth.

此片(🎋)以在民(🥣)间广为流传的民国(guó(💾) )“鬼新娘(♎)”故(🏂)(gù )事为背(bèi )景，讲(👚)(jiǎ(😘)ng )述了都(📕)(dō(💞)u )市青年(nián )林青衣(🐂)(yī(🏘) )和梁晓(💩)(xiǎo )光感人至深的爱(🕞)情(🌘)故事。

该(🍾)故事讲述了一个小男(🎣)孩(hái )和(🔻)意外(wài )成为了(le )流浪汉(🦖)(hàn )的柠(🎻)檬(méng )水摊主(zhǔ )乔的

A fishing community on a remote Maine island finds itself suddenly cut off from the rest of the world after the ferry stops coming. When people start to vanish, the terrified survivors realize that someone - or something - is hunting them.

本(🥤)(běn )片导(🤨)演童抒伟(wěi )称，《追击者》将是福(🏓)建省第(🔦)(dì )一部真(zhēn )正意义(yì(🏔) )上还原(🤨)(yuán )电影本(běn )质、追(zhuī(🐚) )求电影(🕗)(yǐng )艺术的(de )动作犯(fàn )罪(🏥)电影，同(🍏)时他也致力于拍摄(🔁)出(🤜)自己(jǐ(🌽) )风(🎉)格的电影，更希望(💇)(wà(🐟)ng )能够打(🐖)(dǎ )开漳州(zhōu )，甚至(zhì(⛪) )是(🗒)福建(jià(👪)n )的电影(yǐng )市场，希望能(📵)将商业(👗)与艺术想结合。