《美国派2》9.

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

当(dāng )医(⭐)生来敲门(mé(⛷)n )，健康的(🎈)人都(⛸)成病(bìng )人，不(🕒)管小(xiǎo )病还(🌄)是重症，能够(➕)(gòu )赚(📯)钱都(dō(💙)u )是好(🦃)(hǎo )病人(🌫)。

Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Lö(🔛)fstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change

一段(🥁)(duàn )横(🤶)跨二(è(🛷)r )十年(🍸)(nián )的恩怨(yuà(🐨)n )，让沉实稳重(🗝)的赵(zhào )智勇(👚)卷入(♓)了(le )一场(🍈)离奇的武术(🐻)纷(fēn )争。作为(🎌)双(shuāng )手洪拳(⛏)(quán )武馆的当家(jiā )大师兄(xiōng )，赵(zhào )大勇不但表现出非(fēi )凡的武(wǔ )艺，而且还以(🐿)高尚的武德(🍣)扭转(zhuǎn )乾坤(😮)(kūn )，并成(chéng )功(♉)化解了(♎)武馆(🥨)一段(duàn )陈年(🥖)恩怨……而(🤚)赵(zhào )大勇的(🏊)少年(💺)(nián )老成(🏣)以及(🍞)平(píng )实(🛂)谦虚(🆘)的作风(💠)，却(què(📀) )令其爱(📿)(ài )情(⬜)道(dào )路曲折(📞)连连，但最(zuì(🧡) )后还是(shì )以(📛)实(shí(🌱) )际行动(😛)(dòng )赢(🛫)得芳心(🌧)，收获爱(ài )情(🥣)。

辉煌的(de )吉檀(⏯)迦利家族只剩(shèng )下公主一个(gè )人，当(dāng )了“女王”的她与(yǔ )权力(lì )至上的政客(🚧)发生矛(máo )盾(😻)，不(bú )知道(dà(🔌)o )如何面对以(🍄)后的种种问(🕎)题(tí )。还(hái )好(😠)先王(wáng )最信(😀)任的贴身保(🚘)镖(biā(🍑)o )巴瓦尼(🧑)在女(🦑)(nǚ )王左(🚋)右(yò(⛳)u )协助她(👄)打理(🐑)(lǐ )一切(🌵)，慢慢(🏌)(màn )的女王与(💬)忠诚的巴(bā(⏬) )瓦尼走(zǒu )得(👤)越(yuè(♉) )来越近(🖤)。

中年(💰)建築(zhù(🔽) )師遇上(shàng )人(✅)生(shēng )瓶頸，在(😮)家被老婆嫌棄，公司小開兔(tù )死狗烹。失業的他(tā )在曼谷街頭(tóu )驀然回(huí )首(🕠)，瞥見大(dà )象(😜)Pop Aye，憶(yì )起歡(huā(🕖)n )快的童年時(🧘)光，毅(yì )然買(✴)下(xià )大象(xià(🤜)ng )，卻發現都市(🌇)生活容不下(🍋)(xià )他(🏍)倆(liǎng )，打(🕚)算(suà(🐓)n )和老象(🧜)一路(🐶)向北返(🏙)(fǎn )鄉(❇)。這趟人(🎞)(rén )與(🧡)象的(de )公路之(🚮)旅，途中狀況(💟)不(bú )斷，所幸(😓)萬能(😏)的象(xià(🥀)ng )鼻領(😊)著(zhe )他倆(🍲)(liǎng )，與沿路風(🚊)景相伴(bàn )。《爸(🥊)(bà )媽不(bú )在家》導演陳哲藝監製，阿比查邦御(yù )用剪接操刀，看擅(shàn )長冷幽默的(de )才女導(dǎ(📢)o )演陳敬音，用(👔)象鼻(bí )對抗(⛴)(kàng )中年危機(🔵)！將泰國(guó )鄉(🧕)下的(de )荒涼(liá(🔫)ng )風景，轉變成(🛢)一首洋溢著(🥥)(zhe )淡淡(➖)霓虹光(🌠)(guāng )芒(❕)的自我(💼)蛻變(🌃)之歌(gē(🅾) )。

From the rough streets and back alleys of Central Mumbai comes the sensational true story of Arun Gawli, a man who scripted his own destiny, eventually going on to become one of India's most feared gangsters. Today he remains an enigmatic figure; at once a volatile, power-hungry criminal for some and the respected "Daddy" or a modern day Robin Hood for the working-class neighborhood he belongs

十七(🎻)岁的(de )坎蒂丝(👵)(sī )经常做梦(🆖)，她在发病时(😠)(shí )做的梦往(🔉)往是(♉)最清(qī(🌍)ng )晰真实(shí )的(🉐)。在一次梦中(😅)，她遇见一位(wèi )正在(zài )梦游的(de )英俊男孩。这个梦(mèng )一直萦绕在(zài )她脑海中，尤其是(shì )因为(✉)她希望(wàng )逃(💈)离现实，活在(📋)美(měi )好的梦(🚑)(mèng )中。她一边(🗣)想着离开这(⛎)(zhè )个无聊(liá(😚)o )阴沉(chén )的海(👒)边小(👀)镇，另一(🎤)边还(🖖)在(zài )震(💂)惊于(🙃)当地(dì(🏦) )一个(🛡)男孩的失踪(🌡)事(shì )件。“在北(🎺)(běi )爱尔兰(lá(🐖)n )问题时期，这(🐿)里还(🧔)更安(ā(🆔)n )全一点。” 坎蒂(☔)丝(sī )的警察(🤩)(chá )父亲(qīn )说道，因为当地的恶棍团(tuán )伙不(bú )断惹出(chū )暴力事件，导致当(dāng )地越来越危(wē(🌿)i )险。坎蒂丝在(😛)现实(shí )中遇(⚫)到了一(yī )个(🙏)长得很像梦(🆕)游男(nán )孩的(😱)人(rén )，感(gǎn )觉(🥙)世界从此被(🗒)点亮(🔅)(liàng )。坎蒂(🚙)(dì )丝(🛤)虽(suī )然(🕋)迷恋(🐾)这个惴(❕)惴不(🔽)安的陌(mò )生(💵)男孩，但(dàn )后(🕠)来得知，他居(🗳)然(rán )是父亲(🦉)决心(✴)(xīn )要除(🚍)掉(diào )的其中(📧)一名(míng )恶棍(👏)。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

一场(chǎng )矛盾重重的斗羊大(dà )赛，一(yī )次心(xīn )机四伏的厨艺比拼，到底(dǐ )由谁(shuí )来决定(dì(😅)ng )黑山羊的命(🍊)运？