死魂曲7.

父亲(qī(🌿)n )溺(🏮)爱儿(👋)(ér )子赛米，望子成(chéng )龙。儿子面(miàn )对(🤾)升(🚈)学(🗻)(xué(👶) )压(🤖)力，父亲十分(fèn )忧心(xīn )却也只(zhī )能(👵)想(🎄)尽办(🔪)法帮助(zhù )，直到有天(tiān )儿子无(wú )声告(⛷)别(😷)，留(🍦)下(🍶)了(le )要“只身前(qián )往叙利亚”参与(yǔ )圣(📃)战(🗿)组织(🐻)的(de )信息，父亲踏上寻找儿(ér )子的路，才(🚂)(cá(⏰)i )发现(🆒)父子之间早(zǎo )已存在着难(ná(😾)n )以调(📡)和(🍢)(hé(👮) )的(⏹)矛盾。启发自(zì )真人真事，突尼斯导演(🧘)阿(⛪)提(tí(🔂) )亚由一段寻(xún )子经历(lì )，反映“阿拉(👶)伯(🚔)(bó(🍲) )之(😚)春(🐒)”后，国家如(rú )何受到伊斯兰恐(kǒng )怖(🍠)主(⭕)(zhǔ )义(🥕)和经(jīng )济停滞所影响，国家悲剧与(yǔ(🔳) )家(🈁)庭(🚗)悲(🚐)(bēi )剧并存。青年们(men )被视(shì )为非理(lǐ(🗣) )性(🎏)的行(🚕)动背后，当中的复杂(zá )情感究(jiū )竟如(👉)何(🕋)描绘(✒)？比(bǐ )利时电影大(dà )师达内(📯)兄弟(🕸)协(✴)力(🙇)(lì(🍖) )监制，冷静(jìng )有力，最终超越悲剧的(de )伦(🚉)理(😞)剧。

一(🚎)(yī )群青少年万圣节(jiē )去鬼屋玩耍(🐂)(shuǎ(🕳) )，里(🌕)面(📜)(miàn )的一些可怕的东(dōng )西居然是真(zhē(🌦)n )的(🚰)，血(xuè(🚼) )腥、腐烂和变态(tài )之物(wù )……

Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@

有(yǒ(😤)u )着(⏺)信(👾)念(💺)的大学教(jiāo )授张泰俊(朴(pǔ )海日饰(🥪)(shì(🥎) ))为了(🌗)改变世道梦(mèng )想进入政界(jiè )，张泰俊(💺)的(🥊)妻子(🌏)(zǐ )美术馆副馆(guǎn )长吴秀(xiù )妍(🎀)(秀爱(😦)饰(🗜))想要(📙)成(chéng )为馆长。各(gè )方势力在密切关(guā(📉)n )注(🚁)着利(👝)用“市民银(yín )行”这一idea挑战国(guó )会议(🔶)员(🏗)的(🙁)张(🧛)(zhāng )泰俊。今年获得(dé )作家奖的作(zuò )家(🎡)兼(🏙)大(dà(😅) )企业总裁韩龙锡(xī )(尹济文饰)，和他的(❔)(de )妻(🚊)子(🧛)美(🐉)术馆馆长(zhǎng )李画(huà )兰(罗美(měi )兰饰(🙄))将(〰)关注(🏝)着张(zhāng )泰俊和吴秀(xiù )妍夫妇(fù )。讲述(🙄)比(🦅)起现(🎦)在(zài )，想要进入(rù )更好的群体(♐)、进(🏷)(jì(🕢)n )入上(😗)流社会(huì )的人们(men )的欲望冲撞。

乡(xiāng )田(🔮)飞(🍙)鸟（(🤵)吉(jí )田羊 饰）是一名(míng )甜点师，经(🍆)(jī(🎅)ng )营(🐾)着(💳)一(yī )家甜品店。已经(jīng )四十岁的她(tā(🎺) )不(🙎)仅将(📊)自己的私(sī )人生活(huó )打理(lǐ )的井井(📬)(jǐ(🧝)ng )有(😱)条(🎧)，店内的大(dà )小事务亦手(shǒu )到擒来(🐋)(lá(🖱)i )不在(🐏)话下，但唯(wéi )独感(gǎn )情这一(yī )块依旧(🏌)是(🚲)空缺(🏸)的(de )状态，这究(jiū )竟是为(wéi )什么呢？(✨)

漫(🏩)画家(🥦)(jiā )・岸辺露伴(bàn )は読み切りの打(dǎ(🈁) )ち(🧤)合わ(🍈)せにきた漫(màn )画編集者の貝森(sē(💆)n )稔(➰)に(📥)原(🚙)稿料(liào )の前借りを申し出る。