《前任3:再见前任》7.

A young girl and an old man are the only ones in a village who believe the old stories about dragons, and then a dragon arrives.

在(zài )一(🤜)家救(🛳)济(⏫)院(yuàn )，病人(rén )被拍(🙄)恐怖片(👏)(piàn )进行(🚋)精神病研究，他们都疯了(➰)(le )。这些电(❌)影被曝光(guāng )了，其中五成(⚡)画面(mià(🍑)n )是七八十年(nián )代OOXX的场景(🦍)，给你不(🖱)(bú )一(🐬)样的观影(yǐng )体(tǐ )验(❄)……

Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.

收(🍗)到媽媽(🍋)(mā )從山上寄來的蜜蘋(pí(🔁)n )果，小月(🙃)計(jì )算(suàn )著，媽媽已經在(🏸)(zài )外工(⤵)作許久(jiǔ )了，媽(mā )媽的搖(📀)籃曲(qǔ(🏊) )總是(🦓)在耳邊呼喚著(zhe )。『你(📤)媽多(duō(🚯) )久(jiǔ(🌫) )沒(💛)回來了？』是(shì(🕖) )小月（(🥘)13歲）與(🚎)碧艷(yàn )（15歲）兩個(gè )小(😇)女孩彼(🅰)此關心的(de )話語。

在父(fù )亲(🍭)(qīn )去世(🏯)后，亚(🚂)伦回(huí )到家中帮助(😗)他悲痛(🍑)(tòng )欲(🕡)绝的母亲(qīn )，并直面(🎐)他的过(🐀)去(qù )，而(🕤)在处理(lǐ )后(hòu )事的过程(👎)中，他(tā(🦐) )发现了一个神秘的(de )骨灰(🦋)龛，而(é(🥚)r )这背后还隐藏着更(gèng )加(🌜)可怕的(🚰)东(dō(📢)ng )西(xī ).....

Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'

20世纪(jì )福克斯(🖌)最近(jì(♍)n )买下(🕌)了(🍁)Alma Katsu下部小说《饥饿》（(🚯)The Hunger）的(de )电(🌃)影版权(🗡)，这部(bù )小说以《行(háng )尸走(♟)肉(ròu )》的(🧥)风格叙(xù )述了北美历史(💘)上最(zuì(😨) )恐怖(🤨)的一段(duàn )“食人”历史(🥑)。

Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.