简介
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
都(🐘)(dōu )知道(🔠)尹奉吉(📶)义士却对(duì )与他同(tóng )行的(🔗)李华林知之甚少(🚠)(shǎo )，都知(🐱)(zhī )道有(🎢)个临时政府却(què )对(duì )其管(🤗)理(lǐ )内(🐝)务的郑靖(🥦)和并不(🍊)(bú )熟(shú(🔇) )悉(xī )，虽然这些人有点(diǎn )陌(🦏)生，她们(📴)却是实际(🦍)存在(zà(😜)i )的(de )女性(⛩)独(dú )立(🛹)运动人士，她们(men )对(duì )独立的(🤺)(de )贡献不算(🕣)突出，因(🐉)为(wéi )路(✴)线不同(📱)，所以她们(men )一直被(bèi )我们遗(🌟)忘着，本影(yǐng )片(pià(🏈)n )记述了(🚂)(le )她们的(🥌)故事。@
经过(🤨)(guò )一(yī )系列莫名(🗂)其妙的事件(jiàn )之(🦋)后，艾德(🌵)琳·格(⛄)雷（Adeline Gray）认(rèn )为一个(gè )闹鬼(🎬)的娃娃(❌)拥有复(fù(🦉) )仇(chóu )女(💪)巫的(de )灵(👋)魂。为了有希望(wàng )与(yǔ )失(shī(🤓) )踪的女(📡)儿团聚，她(🍣)(tā )知道(💵)她(tā )必(🕢)须击败(👒)魔女娃娃的(de )邪恶诅(zǔ )咒。
成(🤰)长中父母(🔟)也(yě )在(🤣)(zài )日渐(🛩)变(biàn )老(🍟)，我们会把这样或(huò )那样的(🕴)无奈当做借口(kǒ(🌌)u )，而忽(hū(🔺) )视他们(👧)的心理或(🕜)身(shēn )体(tǐ )的健康(✒)(kāng )状况，当问题严(🎙)重(chóng )时(🆙)(shí )我们(🛺)又会悔恨自己的(de )冷漠和(hé(😎) )粗心，孩(🥔)子和父母(🕯)之(zhī )间(🎓)永远(yuǎ(👭)n )存在一种不公平，而(ér )这种(🙉)不(bú )公(🔟)平却又以(🗒)一种不(🏙)(bú )协(xié(🛁) )调(diào )的(🦅)姿势，却又很和(hé )谐的存(cú(🍲)n )在着……(🌗)…
The uncensored extended version of Don't Love Me - boys feature film with Alex Kelly and Alexander Scott.
《寺岛(😽)》：刚刚(💋)(gāng )拿到(😥)第一个连载的(de )漫(màn )画家山(🛫)(shān )崎（峯田和伸(🌉) 饰），因(✡)为助手(🧝)突然走掉(🐣)而(ér )疲于奔(bēn )命(🧑)。某个下雨的日(rì(🗄) )子(zǐ )，自(🌲)称(chēng )寺(🗓)岛的女子（吉冈(gāng )里(lǐ )帆(🤾) 饰）前(🗺)来担任助(🏥)手职务(✌)。作为创(🕟)作素材，寺岛(dǎo )向漫画(huà )家(💸)讲述了(🥁)一个可怕(🗽)(pà )的(de )故(🔹)事。
深夜(🗃)在某修(✝)车行里(lǐ )，被拖欠了大半年(🚇)工资(zī )的(🐑)马答(dá(🚭) )向老板(🔢)萧狐狸(🕊)讨薪,不(bú )料神秘(mì )歹徒黑(🚝)刁闯入修车(chē )行(⌚)(háng )，似乎(🎧)(hū )要与(🏀)他们接头(😌)销赃。这(zhè )让二人(👲)不明所以。其实车(😟)(chē )上还(⏹)有一名(👑)不省人(rén )事(shì )的壮汉(hàn )王(🏬)灞，后备(🚱)箱里还(há(🙇)i )捆(kǔn )着(👸)一位作(🚟)为人质的美女娜沐(mù )薇。深(📞)夜的修(🐽)车行里(lǐ(💮) )，这一(yī(🌌) )群各具(😊)特色的(🙈)人物(wù )发(fā )生了奇(qí )妙的(🏤)命运纠葛……
Mowgli who is in search of the legendary creature, the Giant Claw. Along the way, he discovers the evil plan of Shere Khan and must race against time to stop it to save a friend.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.