A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.
都(🏂)(dōu )知(😹)道尹奉(💰)吉义士(🍔)(shì )却对与他(tā )同(tóng )行的李华林知(zhī )之甚少(📴),都知道(🚧)有(🥗)个临(💖)时(⏸)(shí )政(🚊)(zhèng )府却(🖊)对其管理(lǐ )内务的郑(zhèng )靖(jìng )和并不熟悉,虽(🦒)然这些(🦍)人有点(🌗)(diǎ(🥩)n )陌生(🕹),她(tā )们(🎴)(men )却是实际存在(zài )的女性独立运动人士,她(tā )们对独(🎂)立的贡(🤸)献(🚏)(xiàn )不(🐨)算突出(👳)(chū ),因为(🔡)路线不同(tóng ),所以她们一直(zhí )被我们遗(yí )忘(🎄)(wàng )着,本(🤛)影(🔀)片记(👂)(jì(🍣) )述了(📀)她们(men )的(🔁)故事。@
【家在(zài )蘭若寺】華語首(shǒu )部VR電影!蔡(🌿)(cài )明亮(🔂)導(🆕)演,李(🚮)(lǐ(🐀) )康生(📪)主演。
A group of five women go camping in the woods to celebrate a friend's birthday over 4/20 weekend. But when they cross the turf of an illegal marijuana grow operation they must struggle to survive the living nightmare.
Vincent Pepe who wanted to be a powerful leader of a righteous gang that ruled the city, like his seniors. And then there's the rival clan with the malicious gangsters of Angamaly a locale on which the film is based.
孤(🚒)女立夏深山(shān )武(wǔ )校艺成下山报(bào )恩。其恩(ēn )人(ré(🥁)n )尉迟东(➖)举(😊)办的(🤰)(de )马术比(⤴)赛遭遇赌(dǔ )博集团操(cāo )控(kòng )。尉迟委托星(xīng )宇安保(🎚)公司保(📲)护(😖)众骑(🍜)手,并安(👽)排立夏(💮)加入(rù )该公司实(shí )习(xí )。几经波折后(hòu ),立夏(🖖)在安保(🤞)公(💈)(gōng )司(🍌)站(💫)住了(👹)(le )脚(jiǎo )并(😀)解决了安全(quán )危机。
特(tè )工尼科洛·华莱(lá(🎢)i )士(Troy N. Ashford 饰(🏧))(🕌)是一(🙄)位(🅿)(wèi )为(🔫)政府工(🎂)(gōng )作(zuò )的刺客,专门(mén )刺杀人尽皆知,臭名昭著(zhe )的(de )恐(🎦)怖分子(⚓)。本(⌛)(běn )已(🛄)打算金(🍿)(jīn )盆(pén )吸收的尼科洛(luò )在压力下决定执(zhí )行最后(🐑)一(yī )次(📔)(cì(🦀) ),也是(🤦)最致命(🍾)(mìng )的一(💑)次刺杀行动,杀死残(cán )害他的家乡格鲁(lǔ )吉(🍰)亚的疯(❔)(fē(🗡)ng )子(zǐ(🗄) )。当(🌹)两个(🌆)联邦(bā(🌙)ng )卧底被杀后,华(huá )莱士的师(shī )傅(fù ),李大师((🍒)弗(fú )雷(🏅)德·威(🍀)廉(🏨)森 Fred Williamson 饰(✴))和他(🦇)的(de )孪生兄弟尼希米(mǐ )(Troy N. Ashford 饰)也(yě )卷(juàn )入了纷争。尼(🏑)(ní )科洛(🤥)身(💬)边的(🎊)人都卷(🏴)入了这(zhè )场(chǎng )致命游戏,这(zhè )也将揭露(lù )他(tā )可怕(⛅)的过去(🤣)......
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.