1926年,在面(miàn )临个人(🚞)(rén )生活(huó )破(🕠)碎和(hé )写作(🚨)(zuò )瓶颈危(wē(🉑)i )机的情况下(xià ),年轻的阿加莎.克里斯蒂决(📆)定自己去解(👪)决一个真实(⛸)生活中的谋杀案。
When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.
这部电影的故事背景让人不禁回忆(🥨)起《逃出绝命(🗞)镇》。一位黑人(🌦)(rén )男性(杰森(sēn )·米(mǐ )切尔饰(shì ))在(zà(🎽)i )周末的(de )时候(🐲)(hòu ),因为(wéi )觉(😗)得(dé )周围只(🧑)(zhī )有白(bái )人朋友(yǒu )所以(yǐ )觉得十(shí )分紧(💨)(jǐn )张。当(dāng )然(😇),这部作(zuò )品(🕦)与(yǔ )乔丹·(🎸)皮尔(ěr )去年那(nà )部符(fú )合大众(zhòng )口味的(🚵)《逃(táo )出绝命(🏕)镇》不同。智利(🚭)导演塞巴斯蒂安·席尔瓦是一个古怪的人,他的电影(👔)如《女仆》、《水(👞)晶仙女》、《肮(🍤)脏的婴儿》都倾向于剑(jiàn )走偏锋,故(gù )事开(😱)(kāi )始会有(yǒ(🍽)u )点怪(guài )异,而(⤵)(ér )之后(hòu )则(😯)会变(biàn )得更(gèng )加怪异(yì )。这(zhè )种风格(gé )对(🏇)于(yú )《周末(mò(🌈) )生日(rì )游》意(🈵)(yì )味着(zhe )什么(🤞)呢(ne )?还(hái )不知道(dào )。但(dàn )我们非(fēi )常期(qī(🎯) )待这种(zhǒng )不(💔)确定性,况且(🎓)演员阵容中还有克里斯托弗·阿伯特、迦勒兰德里(🏐)·琼斯,迈克(❎)尔·塞拉和(👣)安·道德。
The members of a soccer school team must to solve why some referees fell asleep in the last games.@艾米电影网
子どもに夢を与え(🆔)、想像力を(📍)はぐくむコ(🙆)ンテンツ作(💸)りをめざして、キャラクターアニメー(🔛)ションを中(🦋)心(xīn )にデジ(👘)タル絵本や(🖐)ARといったアプリなどを通して、エンタ(🌷)メから知育(👐)まで幅(fú )広(🥜)く活動しているスタジオななほしが、ジャンルや(🛤)メディアを(🕜)問わず、も(👊)のづくりを手掛けるウサギ王と制作。ど(⏸)この家にも(🌮)ある縁起物(🚥)たちと、彼(🖨)らが動くさまを見た子どもたちとの交(🧡)(jiāo )流を、躍(😬)動(dòng )感いっ(😗)ぱいに描(miá(🖋)o )いたドタバタコメディ!
Three men struggle to save their relationship while traveling across country in search of a doctor they believe will make one of them well.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.